REVIEWS

Post-film thoughts.

Is God Is: Sins of the Father
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Is God Is: Sins of the Father

Harris perfectly blends the silly with the sinister, crafting unique and quirky characters that provide moments for off-hand situational comedy but also slowly grow the dark cloud that is their father. By the time his face graces the screen in the final act, his reputation precedes him.

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Half Man: Violent Delights, Violent Ends
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Half Man: Violent Delights, Violent Ends

But where it could take measures to insulate itself from criticism or social media outrage, Half Man never apologizes for itself. It depicts people making selfish decisions and all the wrong choices—not simply to be sensational, but to paint a grounded, gritty, and realistic portrayal of toxic masculinity.

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Tuner: All Ears on Roher
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Tuner: All Ears on Roher

If a film doesn’t engage an audience well, scattered audience reactions can feel lame and serve to reinforce a film’s unfunniness. Fortunately, Tuner’s well-written and well-paced screenplay ensured plenty of laughs and a good time for the Sundance audience.

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The Pitt Season 2: Hell Is an ER
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The Pitt Season 2: Hell Is an ER

Season 2’s slower pace does not make it any less unrelenting in its plot decisions. Set on the Fourth of July, this season of The Pitt expertly straddles all the comedy and tragedy that comes from taking care of people during a holiday weekend.

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Wasteman: Who We’ve Left Behind
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Wasteman: Who We’ve Left Behind

Shot over the course of only 18 days, Wasteman (2026) is an adrenaline rush that never subsides. It is a pressure cooker of a film. There is a consistent, thrumming tension in even the stillest moments thanks to a searing script by Hunter Andrews and Eoin Doran.

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Sukkwan Island: Love Out in the Cold
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Sukkwan Island: Love Out in the Cold

After a long career with supporting roles, Arlaud’s talents are finally omnipresent on screen. Shifting seamlessly between a chilling anger and a playful energy, his performance as Tom leaves the audience feeling like we should be walking on eggshells.

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Julian: An Ode to Queer Love
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Julian: An Ode to Queer Love

Carried by Nina Meurisse in the role of Fleur and Laurence Roothooft as Julian, the Belgian-Dutch drama beautifully translates the expectations the couple had for gay rights through their unusual project, as well as the hardships of navigating love and grief.

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Wuthering Heights: Rewritten
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Wuthering Heights: Rewritten

Some had high hopes; Saltburn was generally well-received and a similar thriller would fit the gothic horror of Wuthering Heights, while others dreaded her campy style and worried she would miss the target in the interest of modernizing the story to fit her whims. Now that theaters are packed with curious viewers, the verdict is out: It’s bad.

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No Other Choice: A Veteran’s Playground
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No Other Choice: A Veteran’s Playground

No Other Choice is a plot that requires eccentricity, suspense, and a hint of melodrama that the actors organically delivered. They were shameless in bringing out the quirks of the story through their respective characters, resulting in this spectacle of a crazy film.

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Die My Love: Unfiltered Humanity
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Die My Love: Unfiltered Humanity

What does it take to finally make someone snap? To finally make yourself feel alive? Die My Love (2025), starring Jennifer Lawrence as Grace and Robert Pattinson as Jackson, is a strange slice of life film skewed sideways into an uncomfortably funny thriller.

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