REVIEWS
Post-film thoughts.
Iron Boy: A Charming Portrait of Childhood
Every step of the process reflects the director’s loyalty to his hometown. Voice recordings were done with non-professional actors—including Clichy’s son—in a farm in Beauce, location scouting was conducted in the same place, and one of the only songs used in the film was chosen in honor of his sisters. As a result, Iron Boy feels like an immersion into Clichy's childhood, comforting in the nostalgia it brings but also disarming in its complexity.
Julian: An Ode to Queer Love
Carried by Nina Meurisse in the role of Fleur and Laurence Roothooft as Julian, the Belgian-Dutch drama beautifully translates the expectations the couple had for gay rights through their unusual project, as well as the hardships of navigating love and grief.
The Balconettes: The Truth in a Woman
Noémie Merlant’s The Balconettes is a femme-powered comedy/thriller/drama that met some of my hopes and expectations, fell short of others, and surpassed my imagination, leaving me in awe at times and horror in others.
LUZ: Worlds Intertwined
Flora Lau’s LUZ (花明渡) follows two narratives intertwined across three distinct settings. The main storylines take place in Paris and Chongqing, both connected through virtual reality.
