Balancing the film’s weaker moments and its tendency to rely on rather superficial aspects of its story, Zendaya and Pattinson both deliver impressively nuanced interpretations and manage to bring a strong physicality to the internal struggles of their characters.

Shot over the course of only 18 days, Wasteman (2026) is an adrenaline rush that never subsides. It is a pressure cooker of a film. There is a consistent, thrumming tension in even the stillest moments thanks to a searing script by Hunter Andrews and Eoin Doran.

Unlike Soderbergh’s previous film, 2025’s sexy spy thriller Black Bag, the director takes a more muted, intimate approach as he attempts to find the connection between art and relationships.

Directed by Christopher Miller and Phil Lord, with a formidable score by Daniel Pemberton and impeccable production design by Charlie Wood, Andy Weir’s Project Hail Mary is brought to life with the purpose of making it a visual experience.

Some had high hopes; Saltburn was generally well-received and a similar thriller would fit the gothic horror of Wuthering Heights, while others dreaded her campy style and worried she would miss the target in the interest of modernizing the story to fit her whims. Now that theaters are packed with curious viewers, the verdict is out: It’s bad.

Between sweeping wide shots of rolling green hills to a close-up on creative and awe-inspiring wounds and practical effects makeup, The Bone Temple is truly a visual treat for nature and horror enthusiasts alike.

Avatar is a franchise that brings cinema back to its origins. It is a spectacle. We sit in awe in our seats, captivated for over three hours by its technical prodigy.

What does it take to finally make someone snap? To finally make yourself feel alive? Die My Love (2025), starring Jennifer Lawrence as Grace and Robert Pattinson as Jackson, is a strange slice of life film skewed sideways into an uncomfortably funny thriller.

On paper, it has everything audiences have been waiting for: the continuation of the characters’ story that we grew attached to in the first opus, new songs to enchant the end of the year’s celebrations, and the introduction of the iconic Dorothy from the Wizard of Oz (1939). But does it stick the landing? Debatable.

The Now You See Me franchise is back and better than ever. Twelve years since the original film, the Horsemen are here to stay. The newest installment in the series, Now You See Me: Now You Don’t (2025), further expands the network of scrappy magicians as well as the scope of their heists.

Sometimes, we want to watch a film not to puzzle over but to be entertained. That’s exactly what The Running Man proposes, a good action movie with enough heart to be interesting.

What is most striking about Plainclothes is its use of camcorders, grainy footage, home videos, and nonlinear narrative. Coupled with close ups of eyes and sound mixing of heavy breathing, the audience is caught up in Lucas’ disjointed mental space.

Bugonia doesn't offer something different from Save the Green Planet or try to override its credibility. The film only slightly shifts the perspective to give a contemplative and contemporary take.