As an adult who is constantly bogged down by the realities of life and making compromises, My Neighbor Totoro is my go-to escapist film. But more importantly, it is a much-needed lesson in learning how to have faith again, and in being brave and believing.

Andersen’s original tale is tragic, displaying the hefty price of love and selling your soul for immortality, while Disney gives the characters the most fairy tale-like ending. Miyazaki’s more nuanced approach is a profound interpretation that factors in a fresh perspective of youthfulness, nature and its interconnectedness, and a whimsicality that earlier versions don’t have.

Beyond its technical merits, many of which remain competitive almost a century later, Gone with the Wind falls flat as a romance film. The four-hour runtime dilutes the main storyline of Scarlett and Rhett's love with unnecessary scenes.

It’s safe to say we rarely see tennis through a lens like this. While broadcasted tennis matches commonly use overhead shots, capturing most of the game from a safe distance, the points of view in the Art v. Patrick match become more and more diverse over time, gradually diminishing personal space to reveal the secrets and motives of the characters one by one.

Joe is a rich character, haunted without fully knowing it, and so many of Melton’s acting choices—from his manner of speaking to his body language—echo those unseen burdens.